Shan Hai Jing, or the Classic of Mountains and Seas, is one of the earliest sources of Chinese mythology and is considered an encyclopedia from the pre-Qin period. It “reveals precious thoughts on man and nature, self-identity, and life and death of the ancient Chinese” (A Comparative Study: The Construction of Image System in Shan Hai Jing by Dinghui Wang). Inspired by the Shan Hai Jing, this sound piece is divided into two chapters: Mountains and Seas. Nine mythical creatures are encoded within the spectrogram, awaiting discovery. It extends Dongpu’s fascination with the notion of the unseen. She explores implicit values through metaphor, reflecting on the combination of human and animal forms in mythical creatures and the “superpowers” they possess. These creatures serve as symbols of self-identity exploration and admiration for the power of nature.